Analysis of Red Sorghum Essay - 4041 Words

Analysis of Red Sorghum WHEN Zhang Yimou made his directorial debut, Zhang Yimou made his directorial debut, Red Sorghum, in 1987, he was better known as a cinematographer whose talent had been crucial to the success of critically acclaimed films like Zhang Junzhaos One and Eight (1984, released 1987) and Chen Kaiges Yellow Earth (1984). Not only did Red Sorghum become a seminal film of the Fifth Generation, it also won the Golden Bear at Berlin in 1988, becoming the first mainland Chinese film ever to be awarded the highest honour at a major international film competition. Set in the 1920s and 30s in northern China, Red Sorghums narrative centres on the fate of a young woman who is forced to marry a rich old leper but who†¦show more content†¦Gong Li, who has since become Chinas most well-known female star, confesses that she can easily identify with the headstrong Nine: Jiu dares to act and take responsibility for her actions; she dares to love and hate. She is fearless. I think our temperaments are similar. I was interested in the role and was confident I could play it well.(1) In this scene, Nines impassive features reveal a hint of defiance and a touch of boredom as she sits in brooding silence. Parting the red curtain before her ever so slightly, she seems to be mesmerised by the sight of the bare, muscular back belonging to one of the sedan carriers whom we later know as Yu, the narrators grandfather (played with finesse by Jiang Wen). The seemingly innocuous image of sexual curiosity provides the first suggestion of Nines eroticism. The sedan chair carriers, all earthy and muscular peasants, tease Nine about her impending fate as the wife of Big Head Li, their leprous boss. Nine, too proud to reply to their jibing, obstinately remains silent. Wishing to break down her reserve and at the same time acting in accordance with the local custom, the men jolt the wedding sedan chair and make fun of the bride in a raucous song. As they sing and dance in synchronized steps with clouds of sand and dust flying around them, the revellers create a mythical image of solidarity,Show MoreRelatedLiterary Analysis : Red Sorghum 1223 Words   |  5 Pages1. If the definition world literature as a â€Å"window on the world†, I believe Mo Yan’s Red Sorghum could be that window to show the more representative Chinese culture to the world. Mo Yan s â€Å"Red Sorghum† uses a large number of high-density folk cultur e description and full of unique geographical features, which bring wealth of aesthetic experience to the readers. Meanwhile, the application of folklore culture in the novel makes the story more real, shaping the characters more vivid and revealingRead More Third Cinema in China: Yellow Earth Essay1822 Words   |  8 Pagesworking definition of Third Cinema is possible in the case of Chinese cinema. The fifth generation of Chinas film-makers is credited in making films such as Yellow Earth, Farewell my Concubine, and The Blue Kite, as well as Raise the Red Lantern and Red Sorghum. While not all films made by the fifth generation are necessarily of a Third Cinema, many of them offer critique, drawing upon tactics to raise social or political consciousness. Yellow Earth s characterization as Third Cinema lies in itsRead MoreAnalysis Of Farewell My Concubine By Lillian Lee1677 Words   |  7 PagesThe postcolonial period characterized the analysis of various gender roles as impose d in the overall theatrical convention regarding men who impersonated women in the Chinese films. In the film namely ‘’Farewell my Concubine,’’ gives a description of what initially started as something that meant well in artistic and cultural tradition of the east but was later turned into feminization of the genders in the society. Chen Kaige directed the movie in the year 1993. 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Unemployment: 4.9%. Arable land: 33%. Agriculture: cocoa, peanuts, palm oil, corn, rice, sorghum, millet, cassava (tapioca), yams, rubber; cattle, sheep, goats, pigs; timber; fish. Labor force: 50.13 million; agriculture 70%, industry 10%, services 20% (1999 est.). Industries: crude oil, coal, tin, columbite; palm oil, peanuts, cotton, rubberRead MoreThe Influence of Movies and Tv Series on Cultural Stereotypes7562 Words   |  31 PagesPalestinians are dangerous. Chinese are appearing in western media as ignorant, backward and living under oppression. Obviously, imaging products are main media to propagate and strengthen racial cultural stereotypes. In 80s, scholars have made systematical analysis of minorities in mass media. Their study shows that minorities were seldom involved in imaging products. Even though they did appear in movies, they just held an auxiliary position. Their imag es were negative. They were closely related to conflicts